Tag Archive: life


Look—

The distance between you and me is either

The fibrous white wall of a paper coffee cup,

Name-thin and opaque, but

Warm.  Or,

Transparent plastic, filled with

A form of liquid that changes over time until

It dissolves into murky water and

Sloshes in the cup holder.

In the latter case, what was inside

Has lost its form, its brilliance over time

And rides along with us until we have a chance

To dump it out.

And neither of us want that.

That’s how I justify putting this into the microwave,

After the first kiss of the wand has worn off and

The coffee’s a bit tepid.

It isn’t ideal.  But the budget was your idea.

Consider this a romantic gesture.

Alright?

Don’t harass me about it.

Elementary

Is it wrong that I sometimes

Sit back and look out my window at the world

And find it incomprehensible?

Me, who glories in meanings and mysteries.

Who sniffs out patterns and possibilities like a

Bloodhound roots through fallen leaves.

Believes.  Catches the scent of hidden things.

Is it wrong that today I am weary of the scent of earth?

Is it a sin that I look through the rain on the glass

And see the chaos there as elementary,

Better than me, more honest than I am even

On my best day?

If only we more rational creatures would

Follow the advice of those prone to instinct.

Roll over.  Paw the sky.  Expose our bellies.

Naked beneath the teeth of our adversary, but

Willing to hope in the gentle hand.

Some people have asked about the reading I wrote for Good Friday.  I’m publishing it here on the blog, so that you can read it for yourself.  The evening was based on the stations of the cross; this particular reading focuses on Jesus as he carries the instrument of his death. 

By way of commentary–how often have we pulled back from the full humanity of Christ, and why?  Are we afraid of ourselves, afraid of what it means to pretend at civilization, and insert Jesus into that charade?  I’ll tell you there are beautiful moments in life, and darkness, too.  And in between, there are the glassy-eyed hours, the dumb beast hours, the stuff that never makes it off the cutting-room floor of the stories we tell about ourselves.  Moments of rage between moments of hopelessness.  We are fickle, uncertain, flightless birds.  To put Jesus into that story, the story of the mob, feels abhorrent. 

But it’s necessary.

It was that thought that motivated the passage below.

*   *   *

We watch as Jesus carries his cross through the crowded, sun baked streets of Jerusalem.  We are the faces in the mob.  We kick up the dust with our shuffling, our jostling for a better view.  It coats our throats and clogs our nostrils, we taste it on our tongue, smell it mixed into the feral scent of blood and sweat and the hot air sweeping down like hell’s breath off of Skull Hill. 

Behold the wretch, the would-be king, a spectacle.

The din of the crowd is staggering.  The women wail in his wake.  The gloating priests pour their laughter like stones down upon his head.  The sound is like the pounding of the waves on Galilee, the rush of blood in our ears as we watch helplessly, the maddening gale-force bluster of gossips and jesters who jape and jeer—and we would shout, scream into the empty sky: where now is the still small voice that calms this terrible sea?    

Behold the silent man, whose bloody grip slips on the timber. 

He was supposed to be more than this.  So much more than 75 trillion cells that compose, like ours, his human frame, cells that even now leak alarmingly into the fibers on his back, the grain of the wood, the hot pebbled soil beneath his feet.  He is so like us—afflicted by the whims of our urgings: satiation and satisfaction, waste and want.  Disturbingly animal.  Still enthralled to the powers of death and those that deal death.  Dog eat dog.

Behold the lamb, the brute led to slaughter.

What story do you carry with you, Jesus?  Is it called Justice?  Mercy?  These are the myths of a kingdom that we have never seen, whose halls are figments of our fairy-tales.  How can we hope to see them now?  When last we lined this path, we waved palms at you, and called it a Triumph.  What will we call this day?  What will we call this day, when reality in Technicolor killed the story-teller, the meaning-maker, the one who made it all make sense?  What do I do with my story, Jesus? 

Is it there, in those blood soaked beams laid across your back?  Tell me you take it all with you.  Tell me you saw this, you knew this was coming.  That all the heat and the noise and the blood and the dust, the anger and pride and misery and lust that I know so well go with you now.  Because if there is more to this story that what meets our eyes now, Jesus—more than just dumb slaughter—we will call this day a miracle.  We will call this day blessed.

We will call this day good.

So I’m at Southcenter mall, and I think I almost got stabbed.  No, I’m serious.

The youth group is here today, Saturday, when the throngs of Tukwila are at their peak and it’s easy to get lost in the crowd.  Unless, like me, you’re dressed in women’s clothing, are wearing lipstick and eye-liner, and a shaggy white wig.  That’s kind of the point, though.  We’re playing “Where’s Waldo,” though from the looks people are giving me, the name of the game might as well be “Where’s Weirdo.”  Which is cool, except I’m learning that you can’t go out in public dressed like a curiously shaped grandmother with a man’s jowls and expect not to walk away with a few stories.

The first of which occurred as I walked in the front door from the parking lot.  A man—I can only describe him as being thuggish—did a violent double take as I passed by.  Wanting to let him know that I was in on the joke, that I didn’t actually dress up like this as normal Saturday entertainment, I winked at him. 

Then I fled.

So lesson one: if you’re going to dress up like this, don’t wink at anyone, especially people who belong in the ”Gangsta” folder of your “People-in-the-World” filing cabinet.  They take life seriously.

I was found, rather easily, by the various groups of students who were out hunting for me.  Not able to bear the Dear God What is that Thing looks I was getting from every passerby, I deposited myself in front of a Starbucks and brought out my laptop.  I lowered my shaggy head over the keyboard and didn’t look up until I saw a crowd of Converse sneakers around me.  Then I signed their paper and bid them a fond hunt.

Things were going pretty well, after that.

After the next group found me, I made my next mistake. In the midst of a crowd, I yelled out, “Hey, can one of you get me a Starbucks?”  When I stop to think about it, I imagine that I also would have spun around and stared had a misshapen white-haired lady sitting on a bench next to me yelled out to a bunch of teenage girls in a rich baritone. 

One of the onlookers, a man with diamonds in his ears and a baggy white shirt, looked beneath my white locks and instantly became, well, aghast.  His mouth dropped open and he put his hands on his knees.  He asked me, “Dude, are you a dude?”

“Yes,” I said.

“Are you gay?”  I could see his mind trying desperately to find some category for me.  I can’t blame him for that, either, since most cross-dressing men at least dress up to look good.  I absolutely did not in any way resemble an attractive human.

“No,” I said.

“Well, how old are you?”  He was still bent over a little bit at the waist, like the angle was the only appropriate way in which to puzzle through a man who dresses up like an ugly grandmother and demands coffee from passing mall-rats. 

“Twenty-seven,” I said.

He jumped, put both hands on his chest like he’s been punched there, said “I’m twenty-seven!”  Like maybe the similarity of our ages meant that whatever had compelled me to dress like this, it was waiting right around the corner for him.  Or maybe he was just amazed that a man my age would play dress-up.

“How old are you,” he asked one of the teenage girls.

When she told him that they were all around 16, he looked back at me and shook his head.  Now I was a twenty-seven year old man dressing up like a hideous white-haired woman with lopsided breasts, harassing minors.

It was time for an explanation, which he accepted reluctantly.  Then he asked me if he could take my picture with his camera phone.  Then he called his buddy to tell him about it.  Then he asked me for my email address, so he could email me the picture of myself.  Like maybe he thought that I had no idea what I looked like.  I obliged.  Here it is.

Later, when the game was near finished and we had all begun to make our way back to Nordstroms to meet with the rest of the group, I saw Laz walking toward me.  Earlier we had met and exchanged stories about our adventures, and drawn even more strange looks from passersby, me with my full head of tangled white mane and him with his iron-gray beard and fisherman’s hat.  We must have looked like the strangest couple in Tukwila, come to the mall specifically to scare children.  Kind of like anti-Santas.  Anyway, when he approached me he had taken his beard off.

“We’re not allowed to dress like this,” he said, and he held up a piece of paper.  It had a numbered list on it.  He drew my attention to the eighth item.

“It is against Mall Policy to conceal your true identity,” it said, “or to disguise yourself so as to be unrecognizable.”

I smiled at him.  “Aw, what… someone say something to you?”

He nodded gravely.  “Yeah, and they told me,” he said, “they mean business.  They’ve had their eyes on a strange lady in a hideous white wig all night long.”

That would be me.

Later, when we returned to the group, I was sans glasses and wig.  The boys in our group gasped—my glasses had concealed the mascara and eye-liner I had meticulously applied under the tutelage of a youtube video an hour before the game.  The girls had a different reaction.

“Who did your makeup?”  They looked at my face with the practiced eyes of experts.

“I did,” I said.

I’m still trying to figure out if I should be proud of that.

You are the clever one, the witty one–the belle of the ballpoint pen.  You are the presence.  Your charm is the black-hole around which swirls our broken hearts.  You are a heavenly body, and we are locked in the tidal vice-grip of your gravity.  You fake it until you make it out of newspaper and bubblegum.  You pour the nectar of Olympians onto the Breakfast of Champions.  Your pearls are both wise and an orthodontic masterpiece.  You are the life, the liberty, the Cadillac of cool.  You Zoom Zoom.  Your Facebook is bookmarked, well-commented, and liked (by me, her, and 1m other people).  Yours is the first quote on Maya Angelou’s profile page.  You are the smoke, the voice, and the man behind the curtain.  The black smoke stays well clear of your island.  The mirror on the wall calls you to use a lifeline.  You are the password and the final answer, the answer in the form of a question. 

Except this one:

“Who is… free from the image of what he should be?

TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth

We are all paralyzed by the seeming paradox of our potential and our situation.

They’d all be making marble busts | Of each and every one of us | If we decided that we must | Clean off the dreams collecting dust | And worried less ’bout Boom or Bust | Became instead afraid of rust | The deep regret, the mortal thrust | That comes from doing “only,” “just.”

Remember Life is an Anthem?

The series from this fall is being made into a short devotional incorporating all the elements we walked through together at the Warehouse.  Here’s a first stab at the intro.  It still needs a lot of work.  My editorial voice sounds a little dry, to me.  Feedback appreciated.

*   *   *

 A now famous singer-songwriter said something at the tail end of his first live DVD that I still remember.  I love behind the scenes stuff, and I ate this up.  The scene was backstage, and the artist was exultant, having just played to a sold out amphitheater.  ”That last song,” he said, “towards the end there, it almost felt like an anthem.”  The song was about a relationship that had come to an end, love burned out, defeated.  The crowd had joined in at the top of their lungs–like it was their song, like they could have written it from their own broken-heartedness.  It was intimate and powerful at the same time.  “Almost an anthem,” like the singer had said.

     I remember wondering why it had come so close in this artist’s mind to that elusive sort of song, the anthem.  What is an “anthem,” after all, and why had this particular song stopped short?  Thousands of people are busting out the lighters and cells (this was before the Zippo app on my iPhone) and singing along with this guy’s song, full orchestra, the slow heartfelt sigh of a generation, and somehow it only comes “this close” to being an anthem.  Why?

     Ignoring (for the moment) the fact that we sing one at the beginning of every baseball game, I don’t think we think that much, generally, about “anthems.”  We think in terms of number ones and genres, not about what transforms any particular song from a ballad to a battle cry.  That’s how I see the term.  Music is its most powerful when it is unifying, emotive, transcendent.  It rallies.  The anthem is the zenith.  I think this is because, as it is defined, an anthem is a song of higher loyalty, of praise or dedication.  That is, it holds as the object of its devotion something bigger than our individual lives and experiences.  Back to baseball–we sing the national anthem out of a sense of unified patriotism.  We say a song at a rock concert is an anthem because it lifts us, as an audience, towards some higher ideal.  Not only that one, long lost love–rather, love itself.

    So, is life an anthem?  Is this gift of breath and conscience that we are all enjoying right now purposed for more than just our selves?  I believe that it is.  Our lives are intended as songs of praise dedicated to a creator whose love for us, both tangible and incorruptible, is multiplying the world over.  He is remaking us.  He is using us to make miracles.  We are meant for one another.  

     So then, the song of my life is about you.  It’s about us.  And it’s for Him.

     What song is your life singing out into the world?